maria thrÆn

Interdisciplinary performance art

Aeolian Tree

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Seattle Berlin Based

Maria, smiling, under the aolian tree

“Aeolian Radio”

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Maria Thrän (they/them) is an interdisciplinary artist, performer, and writer based between Berlin and Seattle.

Their research-driven practice weaves mechatronics, radio transmission, spatial sound, video, and light into kinetic installations and live works that explore rhythm, embodied memory, and more-than-human communication. Trained in visual arts and sound, Thrän investigates how performance can enact forms of care, refusal, and listening that resist spectacle and center ethical presence.

Their doctoral research examines how voice, ritual, and sensing technologies can operate as systems of care rather than tools of extraction. The voice functions as both transmitter and sensor—an embodied technology carrying breath, grain, tension, and refusal beyond language.

Drawing on feminist and decolonial thinkers such as Zora Neale Hurston, Saidiya Hartman, and Dwight Conquergood, Thrän approaches sound not as an aesthetic object, but as a sensory ethics of relation.

CURRENT EXHIBITIONS

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Maria explores ecological entanglement, technological agency, and the poetics of signal and noise—framed through speculative modes of preservation. Maria’s work has received awards and has been shown internationally in solo and group exhibitions.

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Maria advocate for treating sound not as background but as a foundational dimension—structuring space, encoding rhythm, and guiding perceptual and physical movement. In 3D systems, they position sound and image as co-equal forces that shape spatial logic and immersive engagement. This reflects a deep commitment to integrating the analog and ecological world into speculative technological futures, particularly in response to the natural and acoustic environments.