maria thrÆn

Interdisciplinary Art & Performance

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Seattle Berlin Based

Maria, smiling, under the aolian tree

“Aeolian Radio”

“Aeolian Radio”

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Maria Thrän (they/them) is an interdisciplinary artist, performer, and writer based between Berlin and Seattle.

Maria´s work unfolds across performance, voice, transmission, and sculpture, exploring how bodies sense and move through systems of power and asks, with artist Raven Chacon, "What gets amplified?" Their research is in dialogue with Black studies (Brooks, Hurston, Adeyemi, Mengesha), Indigenous scholarship (Chacon), and sound practices (Oliveros, LaBelle). Trained in visual arts and sound, Thrän investigates how performance can enact forms of care, refusal, and listening that resist spectacle and center ethical presence.

Their doctoral research examines how voice, ritual, and sensing technologies can operate as systems of care rather than tools of extraction. The voice functions as both transmitter and sensor—an embodied technology carrying breath, grain, tension, and refusal beyond language in relation to more - than - human enteties.


CURRENT EXHIBITIONS

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Maria´s own histories of migration and difference, and their position as a white artist, shape their approach to create. Trying to remain attentive to the tensions and responsibilities that arise when working across histories of oppression and knowledge. Rather than claiming access to these traditions, Maria position themselfs at a deliberate distance, asking how listening and sensing are shaped under unequal conditions.

They approache sound not as an aesthetic object, but as a sensory ethics of relation. Maria’s work has received awards and has been shown internationally in solo and group exhibitions.

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Maria advocate for treating sound not as background but as a foundational dimension—structuring space, encoding rhythm, and guiding perceptual and physical movement. In 3D systems, they position sound and image as co-equal forces that shape spatial logic and immersive engagement. This reflects a deep commitment to integrating the analog and ecological world into speculative technological futures, particularly in response to the natural and acoustic environments.